View the personal tributes and respects
paid to Mike Leander.
Gary
Glitter
Pete
Phipps
Gerry
Shephard
John 
Springate
David
Blaylock
Peter
Oxendale
John
Rossall
John
Hudson
Sign the Tribute Book and leave your own personal message
View Mike's Tribute book, messages left by his many fans and admirers.

Gary Glitter
"In 1972, when Rock and Roll Part 2 was at number 8 in the British charts, Mike Leander and I formed the 'Glitter Band' to perform on 'Top Of The Pops'.  Mike Leander played guitar.  After that one-off performance Mike decided to produce and manage rather than play in the band, but I know in his heart and in his behaviour, Mike was a Glitter Band musician - after all he was one of the founder members.  I will always miss him.............."

Pete Phipps
"It goes without saying that Mike will be sadly missed in the music business, but, what isn't widely known by the general public, was his passion and talent for cricket.  I can remember the fun we all had back in the 70's in the practice nets on Tuesday evenings in Battersea Park.  Mike would put us through our paces in readiness for our matches as the RAM X1 against the TIM RICE X1.  Mike would be elegantly turned out in his 'whites' and he made a cracking captain.  I remember the last game I played in.  The umpire had gone missing and I was 'volunteered' to stand in for him when our side batted.  I gave five of our team out LBW and we lost the match.  Afterwards over tea, Mike came up to me, drink in hand and a smile on his face and said, "Don't worry Pete, you had to call it as you saw it". "Thanks Mike", I said sheepishly and went into voluntary retirement shortly afterwards.  Looking back, I have to admit, I wasn't much of a loss to the side.  Unfortunately ..... Mike was.  We will all miss him so much,
God Bless........Pete."

Gerry Shephard
"When I was asked to write a few words about Mike Leander I was unsure how to start putting into words the influence Mike has had on not only me, but on just about everyone I know.
It is easy to recall the time I was stood next to him in the BBC's 'Top of the Pops' studio, ready to go on to perform one of our records (or Gary's) - I looked up to see one of my musical heroes striding towards me.  I felt a bit wobbly as Paul McCartney playfully punched Mike in the chest and said 'Hi there Mike, how's it going?"
It was about 1975, when it dawned on me that there was more to Mike, our producer and manager, than I first thought.  In a business where everybody is very quick in letting everyone else know of their importance and talent, here was a man who had been involved in the process of making hit records for 15 years.  Mike Leander was one of an elite few muscians/songwriters/producers who was there at the dawn of modern pop music.
The strange feelings I felt when I found the first record I ever bought, "Like I've Never Been Gone" by Billy Fury and discovered there on the Decca label, the legend, 'produced by M.Farr', Mike's real name.
Mike showed me how to be ruthless in criticizing my own music, how to arrange guitar parts, make lyrics go somewhere, look for that little bit of magic that made a record a bit different.  That's what Mike brought into everyone's life, especially mine - that little bit of magic......"

John Springate
"I will sadly miss him."
"Even now as I sit and produce records and I get stuck on a particular musical part, I look up to the sky and say "Ok Mike, what do I do next?"".

David Blaylock
Many artists owe a considerable debt to Mike Leander - among them, HELLO.
It was Mike's production that gave them success.  He adopted a similar sound for them to that which he had used with GARY GLITTER and THE GLITTER BAND.  Indeed, their first hit 'Tell Him' was a cover of a song which Mike had previously recorded with THE GLITTER BAND for their album 'Hey!', after that, he recorded an album, 'Keeps Us Off The Streets' and four further singles with HELLO, all of which were hits in Germany including the Glam classic 'New York Groove'.  HELLO enjoyed further chart success in Germany with other producers but we remain very grateful to Mike for setting the ball rolling and establishing the band.  He was an immensely talented musician / producer / arranger and a truly unforgettable character.
David Blaylock
Manager of Hello 1971-1979

Peter Oxendale
I first met Mike in about 1973 and he was always a hero to me. Now, having read his biography, I never realized he had achieved so much before I met him and his contribution to
British pop music is awesome. I wish I 'd known then that he had done the arrangement for "She's Leaving Home" . . a classic. I remember him as a superb musician and producer who was always looking for "that little bit extra". I remember him with fondness and always with a smile. He certainly added "that little bit extra" to my life.
Peter Oxendale
B.Mus., G.R.S.M., L.R.A.M.,A.R.C.M., M.A.E

John Rossall
I first met Mike early in 1964 when he auditioned me for the 'Mike Leander Show Band'.  He was a great motivator and helped me tremendously, not only in the song writing area, but also introducing me to studio session work.  It was difficult for a young musician to make a living in London in those days.  I have lots of nice memories about Mike, too many to mention here.
Back in 1972 Mike asked me to form the 'Glitter Band', but without his song writing and production there would have been no 'Gary Glitter' or 'Glitter Band'.
His contribution to the British pop scene speaks for itself.
I miss him not being around anymore.

John Hudson
On reflecting back, John comments on his days when he was recording engineer
on all of Mike's productions for the Gary Glitter records.................
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Mike would write and arrange the songs in the studio.  In the beginning of
the whole Glitter era, Mike would hire drums and guitars and amplifiers; all
were set up in the studio and mike'd up.  Mike would  play each of them in
turn trying out ideas.
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We usually started with a drum pattern.  Mike would play around on the drums
for literally hours until he came up with a suitable drum riff.  I would
then edit it into a loop on a 2 track tape (quarter inch),  I would then
play the loop into the studio loudspeakers, quite loud!, and Mike would sit
either at the piano or the guitar and work out an arrangement. (There were
no drum machines in the 70's !).  When the idea was perfected,  I would
record the instrument he was playing along with the drum loop on to a
multitrack tape.  Each different instrument was recorded on a separate
track.
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We would spend hours recording one instrument at a time, gradually building
up the complete instrumental track.   Because we used an 8 track machine, we
soon filled all the tracks.  We would combine some of the tracks on to one
by balancing these instruments through the mixing desk. On later recordings,
Gary's band,  the Glitter Band,  joined in the playing, especially on the
Horns section parts.
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Once all the backing instruments were recorded Gary would record a vocal.
Once there was a main vocal on the tape Mike and Gary  (and sometimes myself
and the tape-op!)  would record claps and backing vocals.  This was done as
a 'live bounce' between 2 available tracks.  We would sometimes record as
many as 24 passes of claps and backing vocals.  This method of recording the
claps is what gave the record it's very characteristic sound on the snare
beat.
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We would add final touches to the lead vocal and then mix the whole track.
Mike would operate the faders on the mixing desk once I had set up the
levels and sounds of each channel.  We used tape delay and reverberation
plates to enhance various instruments,  The mixing usually took around 6 to
8 hours per song.  We had to practice all the fader moves etc. and sometimes
we had to edit the final mix because it was not possible to do all the moves
in one pass.  There was no automation in those days!!
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Making Hit records  - that people would want to listen to and buy - is a
refined art and there have never been many people who can do it.  I think
Mike was absolutely brilliant in this fine art.
I learnt more from Mike about how to make a hit record than I have from
anyone else in my whole career.
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JOHN HUDSON
Engineer and owner
MAYFAIR STUDIOS, LONDON.
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